Notes on Airbrush Needles

by Zsolt


Needles influence airbrushing for two main reasons. The first is related to the needle shape, which defines how focused is the spray pattern (together with the nozzle of course). Therefore, if a needle loses the tip or is hooked, it must be replaced or rebuild. The second important aspect is the needle surface, in particular, it should not let the paint stick to it. A simple method to reduce tip dry is polishing the needle surface, because a smooth surface has less bumps for the paint to stick to. Using reducers, retarders and whatever one can think of is just a possible paint-based solution to the same problem. The needle surface adhesion propriety is a very important point to address in an airbrush. However, thin lines can be traced using any airbrush with the right technique, while clogging an airbrush every five seconds makes the painting process really painful...


Rebuilding the needle tip:

The following image shows a brand new needle:

The needle length is 130mm, the diameter is 1.20mm and the tip cone height is 13.7mm. The needle material was measured and it is made of austenitic stainless steel.

The images below are microscope images of the cone region and the tip, respectively:

 

Finally, this is the tip of a brand new Iwata CM-B needle:

 

Sometimes, a needle may hook badly and eventually break, so it must be replaced or the tip rebuild. The following sequence shows simply how I rebuild the tip.

The hooked tip is cut off first, then using a 220 grit sand paper, or a grinding wheel, the raw cone is created by rotating the needle with a drill.

Using an 800 grit sand paper, the shape is refined using as reference a brand new needle.

 A 1200 refines the shape even more.

The polishing phase starts with a 2500 grit sand paper smoothing the surface. The tip of the needle can not be smoothed by rotating it because the relative speed of the tip is near to zero.

Finally, a 1um or 0.25um grain polishing compound can create a very smooth surface. I used diamond powder (DP-Spray) on velvet in this case.

The complete procedure takes about 20 minutes. Using the 1200 grit sand paper, the needle should be checked in the airbrush to make sure that color leakage doesn't occur. Using the 2500 grit paper and the polishing compound the shape is not changed anymore, just the surface is smoothed to reduce clogging. Smoothing the needle at home, I’ve found some toothpastes with micro-crystals in them working fine. If the crystals are fine, using a velvet with light pressure, the needle can be smoothed reasonably well.
The following macro image shows the result of the final needle check. Diluted black paint is sprayed on paper creating hair thin lines (with no shielding of course). The image, therefore, shows a hair as reference and a ruler with marks at 1mm spacing:

 

The following images are microscope images of the cone region and the tip, respectively:

The tip is the most difficult part to smooth without loosing it, but the most important area is the cone region around the nozzle rim to reduce clogging.


Microscope image of an untouched needle body (diameter = 1.19mm):

 

Image of the needle after a coarse smoothing using diamond powder of 1.0 micron on velvet:

 

Image of the needle after a further polishing using diamond powder of 0.25 micron on velvet:

 

Image of the needle after a further polishing with colloidal diamond on velvet:

The diamond suspension smoothes the borders of the small irregularities of the steel.

Polishing better the needle with 1.00 micron diamond powder and further smoothing it using the 0.25micron powder first and eventually the diamond suspension, a mirror smooth surface can be obtained.


Polishing the needle tip:

Step 0:

Brand new needle tip.

 

Physical image size: H = 1.3mm, W = 1.7mm

Visible tip length = 2.1mm

Step 1:

After polishing with 2500 grit sand paper.

Step 2:

After polishing with 4000 grit sand paper.

Step 3:

After polishing with 1um size diamond powder sprayed on velvet.

Step 4:

After polishing with 0.25um size diamond powder sprayed on velvet.

Step 5:

Final polishing with colloidal diamond on velvet.


Experimenting with new needles:

Thanks to many friends and colleagues,  10 prototype needles were created (starting with brand new CM-B needles) to experiment with different technologies and techniques (this activity was part of airbrush improvements done in 2007: link to details). All these needles were sent to Eddy as a gift in 2007:

1) Sursulf: courtesy of Sergio TROGLIO (Bodycote, Rodengo Saiano, Italy)

The Sursulf process is a salt bath nitriding process utilising sulphur activated non-polluting salts. Operating temperature of Sursulf is 540-570C, 30-210 min. Because of high nitriding potential of the bath, it is possible to gain considerable hardness in such a short time enabling rapid and cost effective treatment. Formed compound layer is ductile and provides wear, seizure and fatigue resistance. As the result of its morphology, tribologic properties and corrosion resistance are improved. Sursulf effectively resolves problems associated with wear, fatigue and seizure in both steels and cast irons. The process produces a hard compact layer at the surface of the treated components with fine surface porosity, effectively eliminating the potential for adhesive and abrasive wear, whilst introducing high residual compressive stress at the surface which considerably improves fatigue resistance. In addition the morphology and composition of the surface microlayer provides lubrication retention which considerably reduces the instability threshold of lubrication film breakdown.

Due to high temperature, the needle bends and it must be straitened (this is not so easy as it seems). The resulting surface reduces clogging, just because of the smoothness. Thanks to this hardening process, the smooth surface lasts longer. The process itself reduces the surface smoothness, so a final polishing step must be applied.

2, 3, 4) atomic layer deposition of ZnO, TiO2 Rutile, TiO2 Anatase: courtesy of Elza BONTEMPI (Structural Chemistry Laboratory - University of Brescia, Brescia, Italy)

This method is particularly suitable for making uniform conformal layers through atomic layer deposition (ALD), also known as atomic layer epitaxy. An ALD process deposits thin layers of solid materials by using two or more different vapour-phase reactants. First, a dose of vapour from one precursor is brought to the surface of a substrate onto which a film is to be deposited. Then any excess unreacted vapour of that reactant is pumped away. Next, a vapour dose of the second reactant is brought to the surface and allowed to react, and the excess is pumped away. This cycle of steps normally deposits a monolayer or less of material. These cycles can be repeated to build up thicker films.

As far as I could check, ZnO and TiO2 don’t reduce clogging.

5) TiCN: courtesy of Delia MONDINI (Protim Lafer, Bedizzole, Italy)

TiCN is a ceramic coating through Physical Vapour Deposition (PVD). TiCN can be a range of colours (blue-grey through to pink) depending on the Ti:C ratio. The TiCN coating is harder (3000Hv) and has a lower coefficient of friction (0.3) than TiN. However it is not a direct replacement for TiN in all applications and is only recommended for cutting, punching, and wear applications where moderate temperatures will be generated. Real toughness, hardness and wear resistance: these properties make TiCN the best coating for interrupted cutting applications, provided that the temperature on the cutting edge doesn't exceed temperature about 420C. TiCN is designed with a seven layers structure and obtained with Steered Arc technology.

As far as I could check, TiCN doesn’t reduce clogging.

6) CrCN: courtesy of Delia MONDINI (Protim Lafer, Bedizzole, Italy)

CrCN is a ceramic coating obtained by Chemical Vapour Deposition (CVD). It has a surface hardness of 2200Hv and a friction factor of 0.3.

As far as I could check, CrCN doesn’t reduce clogging.

7) ZrN: courtesy of Sergio TROGLIO (Bodycote, Rodengo Saiano, Italy)

ZrN is a ceramic coating obtained by Chemical Vapour Deposition (CVD). It is hard and refractory. It has been used recently as an alternative to titanium nitride for coating drill bits. Both coatings are supposed to keep the bit sharper and cooler during cutting. It is also used in refractories, cermets and laboratory crucibles.

As far as I could check, ZrN doesn’t reduce clogging.

8) Diamond Like Carbon: courtesy of Delia MONDINI (Protim Lafer, Bedizzole, Italy)

DLC Lafer is a CVD DLC process leading to a surface hardness of 2000-4000Hv and a friction factor of 0.05. It's the most innovative coating that all the researchers are developing. Extremely low deposition temperature, the possibility given by CVD technology to deposit even on internal surfaces and the lowest friction factor among the existing coatings are the reasons for such interest in DLC films. Lafer also has given credit to this coating potential and has developed, after many years of research, its own version of this film, working mainly on process gases and power supplies with the aim of reaching a wide range of applications for this film, that is normally employed in strict and specific uses.

DLC reduces clogging. The clean and uniform deposition on the tip region is difficult.

9) NiPTFE: courtesy of Mariangela BRISOTTO (Metal Work, Concesio, Italy)

NIPLATE 500PTFE is a High Phosphorous (10-13%) Electroless Nickel plating with an amorphous structure containing about 25-35% by volume of sub-micron particles of PTFE also known as Teflon (Dupont trademark). It is the most performant Nickel-PTFE coating in the market. The very high content of PTFE particles gives the lower coefficient of friction compared to other similar platings. NIPLATE 500PTFE is preferred to other electroless Nickel platings in the case of the need of a very low coefficient of friction even without lubrication. There are no metals with the same hardness and with a so low coefficient of friction. The sliding performances are so improved to allow a re-planning of machines and moving parts. It finds applications, moreover, thanks to the anti-stick property of the PTFE, as anti-fouling coating on heat exchangers and parts exposed to scale formation; NIPLATE 500PTFE assures good conductivity and anti-fouling-anti-stick ability that cannot be found in any other surface coating.

NiPTFE reduces clogging. The clean and uniform deposition on the tip region is difficult. The plating thickness can not be neglected. The overall coating is softer compared to steel, so it can be damaged by the nozzle during the painting process: in this case clogging becomes an issue even more than using bare steel.

10) Kolsterizing process (K33): courtesy of Vittorio BORDIGA (Bodycote, Rodengo Saiano, Italy)

The Kolsterising process (formerly known as the Hardcor process) is marketed by Bodycote. Kolsterising improves the wear resistance of stainless steel part surfaces, without degrading their corrosion resistance. There are no additions of chemical elements to the steel during the process. Kolsterising does not apply a coating on the surface but is a low temperature surface carbon diffusion treatment. Although large quantities of carbon are diffused into the surface visible chromium carbides are not formed. The resulting surface treated layers can have hardnesses in the range of 1000 to 1200 VPN (approx 72 HRC). The thickness of the hardened layer is dependant on the process conditions used, but includes 22 or 33 micron effective case depths (K22 and K33, respectively). Complex shapes can be effectively hardened by this process.

K33 reduces clogging, because of the final smoothness. Thanks to this hardening process, the smooth surface lasts longer. The process itself reduces the surface smoothness, so a final polishing step must be applied.


Acknowledgments:

I would like to thank very much my friends at the Department of Mechanical and Industrial Engineering, namely in alphabetic order, Michela FACCOLI, Marcello GELFI and Roberto ROBERTI, for ideas and precious technical information.

A warm thank you to Alberto FERRERO (Anest Iwata EU) and to “Marissa Art Productions” for the donation of all the material I needed to experiment with.

I would like to thank so much the university and industrial partners creating the prototypes and allowing me to check the state-of-the-art techniques in 2007 (now, after more than 3 years, other techniques may be available, but I’m not working on this anymore) to improve the airbrush needles:

 

Link to the main page of Color Experiments.

 

Updated the 16th of May, 2011 by Zsolt